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Title |
Chi Chun Prose and It's Position of Female writing in the 1950's and 1960's |
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Author |
Frances Chang |
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Associate Professor, Department of Chinese Literature, Feng Chia University |
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Abstract |
Ih-Giene's (Surname: Pan Shih-Jan 1917- ) prose, as the contemporary Taiwanese feminine representative, was characterized by softening feelings, as famous as Chug Shiu Iah's and Aih-wen's. The former and its relevant viewpoints, as had been looked as “Essential culture” and “Main stream vale” in 50's, like anti-Communism writer's, like Juh-Shi-Nuun's. Both the feminine characteristics and political agreement, the female writers' creation, backed up by extraordinary normalization, got a huge room for literature development. By listing in the table, the present literature shows precisely the fist generation of feminine writers, who were immigrated from Mainland China, their creative positions in literature and their background and interpersonal relationships. Centered by Ih-Giene and Lin Hai-Ih, the Taiwan feminine writer association was most popular in '50s. By the privilege offered from government, they developed their characters for beauty description, definitely different from those for anti-Communism. General saying, more than thirty volumes of prose, authorized by Ih-Giene, made a big effect in the Taiwanese literature field in '60s and '70s. Before the dominance of Taiwanese native feminine writers in mid-'70, Ih-Giene's prose had been symbolized as the super –era values of globalization and Midway and appeared as a never decayed model for the contemporary feminine prose. |
